Answer has 5 votes. The difference between a large cantata and a small oratorio is hard to determine, but normally a cantata uses smaller, more various forces, attempts to fill a smaller dramatic canvas, and admits a much wider latitude in form. Also, what aspect is similar between a cantata and an opera?
An opera is intended to be acted out, as a play in which all of the dialogue is sung rather than spoken. A cantata , on the other hand, is also a drama, but is more like a story set to music and sung. The oratorio and cantata of the eighteenth century were both linked, unlike opera , to religious themes. The oratorio is also based upon a story, but a sacred one with Biblical origins rather than a secular one.
Oratorio is not staged and is not used as part of worship. Asked by: Dolors Janibekov asked in category: General Last Updated: 13th April, What are the differences and similarities between the baroque oratorio cantata and opera? An oratorio is usually a sacred subject, with the story told by soloists and choruses.
There is no action, set or costumes. A cantata is shorter than an oratorio , not as heavy or as long, and is not necessarily sacred music, but can be. What defines an opera? Compare comic opera, grand opera. What is a cantata service? A church cantata or sacred cantata is a cantata intended to be performed during a liturgical service.
Although at least one of the musical forms did not initially feature sacred themes, ultimately some of the most accomplished and memorable oratorios and cantatas were based on religious texts.
The cantata is the shorter of the two and was first a secular work, then largely sacred song and music, and eventually a form that lent itself easily to either interpretation.
Cantatas typically feature soloists, a choir or chorus and an orchestra and are 20 minutes long or so, much shorter works than operas or oratorios. A cantata has five to nine movements that tell a continuous sacred or secular narrative. Haydn wrote a "Birthday Cantata" for his patron, Prince Esterhazy. It features a love affair between a native queen and a foreigner ending badly.
The English initially preferred Italian opera. English is not the optimal language for classical music. Italian is the first language of opera for a reason. It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons her. A bass line that repeats throughout a composition is called a ground bass.
Listen for it to continue throughout the entire aria. It is included in many classical music textbooks on account of its exemplary use of the passus duriusculus in the ground bass. Usually the chordal instrument is an organ or harpsichord, but I thought that the baroque guitar added a rich and colorful timbre to the piece as a whole.
Also accompanying the guitar and cello are two violins, a viola, and of course Dido who is typically played by a mezzo-soprano.
Lines moving by descending semitones were and are often used metaphorically to depict death. The section you will hear in the recording features the aria as well as the preceding recitative. The death of Aeneas is described by Dionysius of Halicarnassus. After he had fallen in battle against the Rutuli, his body could not be found, and he was thereafter worshiped as a local god called, according to Livy, Juppiter indiges.
Aeneas, had an oppurtunity, a way out. After years of travelling, he came to land at Carthage. Some affirm that Aeneas disappeared during a battle against the army of Mezentius an ally of his enemy Turnus , but others say that he died in Thrace without ever reaching Italy, or that he, after having settled his people in Italy, returned home and became king of Troy , leaving the kingdom, after his death, to his …. This message shocks Aeneas—he must obey, but he does not know how to tell Dido of his departure.
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